![]() ![]() Garner's episodes tended to be more comedic due to his obvious talent in that area, while Kelly's were inclined to be more dramatic. There was however, one distinct-but accidental-difference between the two. This included being traveling poker players, loving money, professing to be cowards (despite voluminous evidence to the contrary), spouting intriguing words of advice their "Pappy" passed down to them, and carrying a $1,000 bill pinned to the inside of a coat for emergency purposes. In Bart's first episode, "Hostage!", in order to engender audience sympathy for the new character, the script called for him to be tied up and beaten by an evil police officer.Īccording to series creator Roy Huggins in his Archive of American Television interview, the two brothers were purposely written to be virtual clones, with no apparent differences inherent in the scripts whatsoever. The producers had realized that it took over a week to shoot a single episode, so Kelly was hired to rotate with Garner as the series lead, using two separate crews (while occasionally appearing together). Though Garner was originally supposed to be the only Maverick, the studio eventually hired Jack Kelly to play brother Bart, starting with the eighth episode. Ewing are at heart self-serving and egocentric, a description that does not fit any Maverick. Nonetheless, most TV anti-heroes, such as Eddie Haskell, Dr. Bart once commented to a lady friend, "My brother Bret can outdraw me any day of the week, and he's known as the Second Slowest Gun in the West." However, it was almost impossible for anyone to beat them in any sort of a fistfight, perhaps the one cowboy cliché that Huggins left intact (reportedly at the insistence of the studio).Ĭritics have repeatedly referred to Bret Maverick as arguably the first TV anti-hero, and have praised the show for its photography and Garner's charisma and subtly comedic facial expressions. None of the Mavericks were particularly fast draws with a pistol. Otherwise he was honest almost to a fault, in at least one case insisting on repaying a questionable large debt (in "According to Hoyle"). He frequently flimflammed adversaries, but only those who deserved it. Bret Maverick was vocally reluctant to risk his life, though he typically ended up being courageous in spite of himself. Huggins inverted the usual cowboy hero characteristics familiar to television and movie viewers of the time. Maverick often bested The Ed Sullivan Show and The Steve Allen Show in the television ratings. staff casting their new television series. ![]() The show is generally credited with launching Garner's career, although he had already appeared in several movies, including Shoot-Out at Medicine Bend with Randolph Scott, and had filmed an important supporting role in Sayonara with Marlon Brando, which wasn't released until December 1957 but had been viewed by Huggins and the Warner Bros. ![]() 45, Lawman, Bronco, The Alaskans, and Sugarfoot.īret Maverick is the epitome of a poker-playing rounder, always seeking out high-stakes games and rarely remaining in one place for long. array of Westerns, which included Cheyenne, Colt. No more than two of the series leads ever appeared together in the same episode, and usually only one.īudd Boetticher directed several of the early episodes of the first season and Robert Altman wrote and directed one in the fourth season. Robert Colbert appeared later in the fourth season as a third Maverick brother, Brent Maverick. When Garner left the series after the third season due to a legal dispute, Roger Moore was added to the cast as their cousin Beau Maverick.
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